Contemporary British Drama
Power, biopolitics, violence, silence, and resistance in the work of playwrights including Edward Bond, Howard Barker, and Sarah Kane.
Researching contemporary British drama, masculinities, and adaptation through questions of power, ethical–aesthetic resistance, and theatrical form.
Zeliha Kuruducu is a Lecturer (PhD) at the School of Foreign Languages of a state university in Türkiye and a researcher in English Language and Literature. She holds a PhD in English Language and Literature, and her research spans masculinity studies, contemporary British drama, and adaptation studies.
Her research explores how power shapes gender, subjectivity, and cultural representation—and how literary, dramatic, and cinematic forms create possibilities for ethical–aesthetic resistance. Drawing on post-Foucauldian approaches to power, biopolitics, and resistance, she examines the relationships between authority, violence, agency, and dramatic form.
Her work in adaptation studies focuses on literary and dramatic texts reimagined for stage and screen, bringing classical reception into dialogue with contemporary adaptations. She is particularly interested in ontological transformation: how adaptations reshape the conditions of existence, agency, and belonging within the worlds they create.
Alongside her teaching and research, Zeliha Kuruducu serves as Regional Managing Editor – Turkey at The Theatre Times.
Download Academic CV ↗https://zelihakuruducu.com/wp-content/uploads/2026/11/Zeliha_Kuruducu_Academic_CV_.pdf
Across three interconnected fields, power provides the central question; ethical–aesthetic resistance and ontological transformation shape the analytical approach.
Power, biopolitics, violence, silence, and resistance in the work of playwrights including Edward Bond, Howard Barker, and Sarah Kane.
Masculine authority, vulnerability, normative power, and the dramatic possibilities of ethical responsibility.
Shakespeare and Greek tragedy in contemporary reinterpretations, with attention to ontological transformation and changing configurations of power.
Latest
Monographs
Book Chapters
Journal Articles
Substack · The Theatre Times · Talking Films Online · Other Platforms
International Research Networks & Working Groups
COST Action CA24137 – MultiLiLiTrans · WG1 · WG4 · WG5
ASTR · Anti-Authoritarian Theatre Working Group
BAFTSS · Adaptation · Film & Philosophy · Practice Research SIGs
IFTR · Translation, Adaptation & Dramaturgy · Performance & Migration WGs
Peer Review & Scholarly Service
Critical Stages / Scènes critiques · Adaptation (Oxford University Press) · Masculinities & Social Change · Journal of Adaptation in Film & Performance · American Nineteenth Century History (Taylor& Francis) · Journal of Victorian Popular Fictions · English Studies · Journal of Essence & Critique: Literature and Drama Studies · Eurasian Journal of English Language and Literature
Scholarly Communities & Seminar Networks
MADS Reading Group · Talking Films Online · Dialogues & Theatre (University of Hyderabad) · Mobilities and Immobilities Research and Praxis Network (MIRPN) · Lessing Academy
Editorial Role
The Theatre Times
Regional Managing Editor – Turkey
For research collaborations, editorial enquiries, and scholarly exchange, please connect through the verified profile below.
E-mail – zeliha_kuruducu@hotmail.com
ORCID – Researcher Profile ↗https://orcid.org/0000-0002-4337-5983
The Theatre Times – Author Profile ↗https://thetheatretimes.com/author/z-kuruducu/
Substack profilinizi açhttps://open.substack.com/pub/zelihakuruducu
LinkedIn – Professional Profile ↗https://www.linkedin.com/in/zeliha-kuruducu-5153753bb/